Friday, April 1, 2011

Top Four Types of Fun

“Friday” is all about fun. Fun fun fun fun. So I figured I’d break down the various types of fun Rebecca and her friends might have on any given Friday.

kids_birthday_partyPartyin’ Fun

You don’t need to drink to have fun! Or do drugs! You can stand in driveways next to your friends’ older siblings’ cars. You can stand in the back of convertibles in between your friends and only mention one of your friends because the one on your left totally has enough self-esteem to handle being dissed like that. Then you can tell all your friends to gather in front of the old sycamore tree while you lecture them on the days of the week.

calendar2

Calendar Fun

Knowing the days of the week is crucial to having fun! You can’t have fun on a Tuesday if you have a test to study for on Wednesday. Did you know that “Tuesday” is derived from the Germanic god Teiwaz, which is in turn derived from the Roman god of war Mars? Why am I talking about Tuesday? Let’s get back to Friday.

rebecca-black--friday_100344976_sFriday Fun

This is arguably Rebecca’s favorite type of fun. It involves not being phased by your family’s morning anxieties, being able to choose which seat to sit in when your friends pick you up from the bus stop, knowing how to get home before curfew, and helping your friend lose the weird guy driving behind you on the highway.

Underage Driving Fun

baby-driving-carLast but not least, driving at the age of thirteen is awesome! You don’t have to take any tests or have your stupid uncles get mad trying to teach you. Just drrriiiivvve, man. Who cares about seatbelts either? When the cops pull you over, just tell them what day of the week it is and they’ll let you go.

There you go. Now get out there and have some fun!

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Who Is Rebecca Black, Anyway!?!?

Well, it's Friday again. For the eighth time since everything changed. Back before February 10, 2011, I would dread the end of the school week. TWO WHOLE DAYS without the comfort of a desk attached to my chair, without the sweaty smell of my gym clothes in my locker, without the intellectual stimulation of chess club. I simply had nothing to do over the weekend: I had played through every video game I own countless times, I had memorized every movie on the shelf, and my comic book collection is already torn and frayed. And then... she turned up on the scene.

I'll never forget where I was when I first saw her: standing by the BUS STOP. I was more excited than usual about taking my regular emergency exit row seat because I happened to know that there was a secret fire drill scheduled for that day. I was about to ruin the surprise for her, because I just had to tell someone... but then she opened her mouth and started to sing. One note of that sweet, beautiful, monotone voice, and I was struck by the thunderbolt. And then she didn't even get on the bus - it was like she had a totally different set of priorities than mine... and I hungered to find out more.

That night I got on my moped and followed her as she sat unsafely in the back seat of her convertible. The ideas she sang about fascinated me. Looking forward to the weekend!? But the weekend is so boring. What could one possibly do? The answer flowed from her lips like honey: Partying. Of course! It all seemed so simple! I had to see more. So I followed her whole crew (including that moustachioed chick with the accordion) to an awesome party. Everywhere I looked, people were getting out of cars or dancing in front of trees. Nothing much else happened, but it was the best time of my life.

When I woke up next morning, I was actually excited, rather than bored, to greet the wonders of the weekend. I hurried through my bowl and my cereal, and rushed out to find the next party. It was awesome! I partied all weekend, and by the time Monday rolled around, I was so tired and hungover that I fell for the oldest trick in the book at chess club and was checkmated in three moves. But it was worth it. I was a partyer!

The next week of school was a blur. I could hardly wait for Friday to roll around, to see that angelic harbinger of parties exit her house, having smoked her bowl and eaten her cereal (or at least that's my understanding), and jump in the backseat (she always chooses that same seat, despite the deliberation) of her awkward dancing friend's convertible. To watch her disobey all traffic laws and dance in front of that tree. If the first Friday was the best night of my life, this next one was a close second.

I researched everything I could about Fridays - their references in movies, songs, popular culture. I learned the history of the Gregorian Calendar, I counted up how many Fridays had occurred throughout all time. But it still wasn't enough. Until.... everything changed again.

It was around the fifth Friday after I had first seen her. Something clicked, like an alarm going off at 7am. What was so great about these parties, anyway? It's always the same thing - the same dancing, the same entrance hall with people getting out of their cars, the same dude in his car rambling for 8 bars about changing lanes driving next to a cop. And her voice - so monotone, so ... AUGMENTED by technology. And who was she looking at the whole time? It was as if there was a camera there that only she could see. Could it be? Yes, it was definitely the case: Fridays had begun to lose their luster.

I kept going to the parties. What else could I do? Gettin' Down had become an obligation, a sick twisted duty that I couldn't escape. Fridays had become like a car wreck: each moment more horrible than the last, yet I could not look away. I began to dread the weekend, as I once had done, but now I also dreaded the weekdays: the manic Mondays, the weekly screenings of Gone With the Wind on Tuesdays, the essays due on Thursdays, and worst of all, the climactic day that signaled another encore of her harrowing performance. Parties had become the crux of my cursed life. I hated them, and yet I had nothing left...

There is at least one positive outcome from all these proceedings: I now know what Heaven looks like. The sun is always shining, everyone sings in their own natural voice... and it's always Wednesday...... Continue...

Rebecca Bares Her Soul To America

Out to prove she’s no one-hit wonder, Rebecca performed an acoustic version of “Friday” on ABC’s Good Morning America. Her song sounds just like it does in the video! Amazing!

She even got some friends to help create an intimate atmosphere. I think this is really important because “Friday” is a song about friendship and using your time wisely and choosing which friends to sit next to in the car. So having some friends there to help sing the song was a great way to show America what Rebecca’s all about.

Sidenote: who is that guitarist?! Is that Rebecca’s boyfriend? Her brother? I hope it’s her brother. His hair is dreamy. He’s like a sensitive Slash.

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Breaking News: Black’s New Single “Saturday”

Picture_2This comes from our Rebecca Black Beat Reporter Giaco

Exclusive sources tell us that singer-songwriter Rebecca Black is set to release another single next week. The track, titled Saturday is going to be a “spiritual successor to Friday” quotes our source. A bit of a departure from the anthemic hit Friday, the new song features a darker, bleaker theme.

Saturday picks up right where Friday left off (with everyone partyin’ partyin’) but as the sun rises on Saturday morning, the world is besieged by nuclear attacks. Lyrics like “Cereal bowl falls to the floor, Crack!/The world is experiencin’ a nuke, Attack!” set the tone for the song.

According to our sources Black and friends hop in their convertible and cruise down a post-apocalyptic highway. As these lyrics show, seating is the least of their worries, “Don’t gotta worry ‘bout which seat to take,/ my only friend not killed in the bombings was Blake!”

Though our sources were only given a sneak peak of the first minute of the song, it is rumored that Black and friends will enter into a sort of death race against rapper Patrice Wilson. We can’t wait to hear the new single and can’t help but wonder, is she setting us up for a Sunday? A Sunday, bloody Sunday?

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THE REVIEWS ARE IN!!!

Everyone over on the Youtube is over the moon about the Friday video! Here are some of the best comments!!

Zombieslayer197 says: dear rebecca there is one thing that i can say about you that i would totally date you as long as you didnt sing on our date

iGreatnessFSU says: This shit is wack as heil!!!

gersonas21 says: the lyrics are horrible kid, but the singer is well babe

lilCaucasian says: I LOVE YOU REBECCA BLACK <3. DONT LISTEN TO THESE IMMATURE AND JEALOUS JERKS.

cristian5591 says: shes a trooper i dont kare wat anyone says

mackarinaa says: this song changed my life, so awesome. my favorite part is when shes trying to decide what seat to take.

thepackers2323 says: Shut the fuck up don't be jealous of RB she's amazing-3333 I love this song!!

bgkilla 8 says: this is the boring song ever heard omg friday is tommarrow

punchrocker202 says: My mom likes this song.

Char2805Live says: At least she's better than Motley Crue.

11iluvturtles says: i cant stop watchen this song

maxsonly says: woooyeayayayayyyeayeayeyayaya
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Rebecca Black's Amazing Emotional Range

We've all seen the Friday video, right!? What I'm most impressed by is RB's ability to convey the entire range of human emotions with her incredibly expressive face. Take this chart below as but a small example:


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"Fun, Fun, Fun, Fun":
"Friday" as a Post-Post Structuralist Neo-Marxist Dialogism

Abstract: In the following essay, the author proposes that Rebecca Black's song "Friday" can be viewed as a socio-cultural phenomenon. As such, the work as "text" dialectically synthesizes the views of the Frankfurt School (and in particular, the negative dialectic of Adorno) with the later views of Habermas and the "transformation of the public sphere". Additionally, when viewing the text through this lens, neo-Freudian meanings emerge, and the song takes on the qualities of the Lacanian mirror stage, though instead of the dialectical transformation it remains trapped in a Bakhtinian dialogism of competing viewpoints. (See Holden 2008). 

We must begin by accepting Hegel's notion of teleological progress, and a possible end to historical history (though not, it must be noted, to historical historicity). If this is the case, then one can look at Adorno's aesthetic viewpoint of art as the integration of form and content (Adorno and Horkheimer, 1945). If form is seen as objective, and content as subjective, a piece of art must represent a coming together of opposites, an alienated self dialectically unified to its very "Other." 

If this is the case, "Friday" operates on multiple textual levels. Not only does the song act as a cultural phenomenon, but it also functions on a psychological level. First, to examine the cultural aspects of this object, let us consider the dialectical contradiction between society's "self" and the "Other" (see: Said's Orientalism). The societal self is subjective, while the cultural Other remains a looming objective force, loaded with false meaning that expresses its own alienating qualities of "Otherness" without assuming operative agency as the "Other." 

What we have then, with "Friday," is a clever satire on the notion of teleological process that assumes the very structure of the concept that it deconstructs. The societal self of "Friday" must be Rebecca Black. White, middle-class, an unwitting subject of the cultural hegemony of these forces, her viewpoint is society's viewpoint, and she assumes the role of self. The concentration on inane everyday activities - cereal, fun, the bus ride to school - acts not only subjectively as a portrayal of the hegemonic hypocrisies of modern life under Western late capitalism, but also an objective portrayal of the artist-as-self (and, contrapostively, the self-as-artist) that frames oneself in such a way that one assumes the objective qualities of a society even while operating from a subjective viewpoint. 

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How Dare She! Mi-Cy Hates on RB

miley-cyrus-smiles-on-the-tonight-showTween idol Miley Cyrus, the daughter of esteemed country hit-maker Billy Ray Cyrus and star of Disney’s Hannah Montana, doesn’t like Rebecca Black. Speaking to an Australian radio show, Cyrus said, “It should be harder to be an artist. You shouldn't just be able to put a song on YouTube and go out on tour.”

Wait…is Rebecca going on TOUR? (There are conflicting reports.)

Anyway, Miley Cyrus is an idiot because there’s nothing wrong with being a YouTube star. It’s Rebecca’s only path to stardom! She’s only thirteen years old. Not everyone can have their daddy help them get a part on a Disney show and launch a music career on Mickey Mouse’s dime.

Plus, RB’s been on The Tonight Show with Jay Leno so she’s star, okay?  Maybe Miley’s just jealous that the last time anybody talked about her it was because she did drugs*.

*sort of

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“Friday” Adapted to the Stage!

People love Rebecca’s song! So much so that they’re doing dramatic readings of the lyrics.

James Urbaniak, actor and voice of Rusty Venture on the hit cartoon The Venture Bros., got a couple of friends together (including Star Trek: TNG’s Wil Wheaton) to perform “Friday” for a super appreciative crowd.

Just listen to them! They love Rebecca’s music even people change it a little bit.

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OMG I LUV THIS SONG!!!1

I cannot get this song out of my head. RB deserves mad love for her singing and all of the effort she put into the video. Thanks to her parents for financing the whole thing, too. This can’t have been cheap!

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